Ice, Global Responsibility, Public Art
Miami Beach is stepping up its commitment to art in public spaces in a big way. The renderings for the marble sculpture “Drift”, by Spanish artist Inigo Manglano-Ovalle depict the forthcoming behemoth that will soon arrive on the shores of South Pointe Park. The 16 foot tall abstract representation of an iceberg that has broken off from the continental shelf and floated to South Beach pushes the individual to examine the harsh realities of climate change. As a part of the overall renovation of the park, Miami Beach city commissioners made a significant declaration of their commitment to beautification, the arts, and the responsibility to remain vigilant in the examination of contemporary issues in art, as well as global issues. The selection of the world renowned artist was influenced by his numerous other installations across the US.The suspended chrome cloud that has been on display at the opening of Zaha Hadid’s Contemporary Arts Museum in Cincinnati among many other locations is another example of the artists intense observations of the world in which we inhabit, the experience of being in that world and the effect we have on it. Earlier work focused on issues of migration and immigration and while some artists path seem to migrate deeper, toward a particular, smaller if you will, subject, Manglano-Ovalle’s subject matter continues to be expansive, moving toward larger more universal objects and concerns.
The physical articles created to encapsulate the many themes of his work are consistently pieces of unprecedented beauty. They are both incredibly simple and vastly complicated, expressionistic and highly calculated, whose tangible qualities alone dictate their classification as high art. The opportunity to have such a sculpture, outdoors, in the public realm, as a permanent installation is a privilege.
Like another Manglano-Ovalle sculpture of an iceberg, that is seen as its whole self, including all that would ordinarily be submerged, the people of Miami can look forward to the installation of this art, knowing there will be more and more to be discovered in what lies beneath. It’s just the tip of the iceberg.
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All artists have good and bad days. When it’s a bad day, the art usually gets destroyed and no one sees it. In this case, “Drift” is a bad day for Manglano-Ovalle and we got stuck with it. The half million dollars it cost to buy it could have been spent on plants and trees for the park. I suspect that tagging will occur almost immediately and the graffiti will be more appealing than this fine example of the fall of western civilization.
I would be intrested to hear your thoughts on the plethora of Britto sculpture appearing all over public spaces in Miami.